Until a few years ago, New Zealanders seemed to have
a considerable fascination with cultural identity, with their
own "Kiwiness" if you like. However, in more recent times,
perhaps as the nation has grown into its cultural skin, there
has been a lesser degree of concern about it.
Of course, another reason for the waning interest might be
that sociologists have hijacked the subject and buried it
beneath layers of anaemic academia. The end result can be
seen in Nick Perry's pretentious prolixity. The essays in
Ruling Passions touch on things New Zealanders hold
dear - rugby, shopping, gambling, television and so on - but
Perry, who teaches film, TV and media studies at the
University of Auckland, writes such dense prose that
fascinating and thought-provoking information often gets lost
in thickets of words.
To take two examples: the development of rugby from a
community-building amateur sport through to commercial
prostitution and the way shopping has evolved from the highly
personal nature of the corner dairy to the total
impersonality of internet trading have both had major impacts
on New Zealand. Perry offers an understanding of what has
happened and is still evolving. But his narrative thread
winds through a maze that will deter readers with little
knowledge of the sociological theories acting as intellectual
roadblocks or the films and television programmes that offer
pointers to cultural progress.
But, if nothing else, Ruling Passions is an object
lesson in how culturally gauche we still are.
In an introduction, Ian Wedde sings Perry's praises not
merely for his literary abilities but for showing us why the
study of culture is important. The compliment is returned in
one of the essays in which Perry describes Wedde as the
country's most accomplished cultural critic.
Such mutual backslapping reflects a level of cultural
insecurity now absent from most of New Zealand but clearly
still alive and kicking among Auckland's chattering classes.
• Geoffrey Vine is a Dunedin journalist and
Presbyterian minister.
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