Brad Pitt at the 36th Toronto International Film Festival.
REUTERS/Mark Blinch
Brad Pitt has turned to the insular world of baseball
economics for his latest movie and yet the Hollywood
heavyweight is a relative rookie in terms of obsessing over one
of America's great pastimes.
The A-list actor is one of the top draws this week at the
Toronto International Film Festival for the launch of his new
drama, "Moneyball." He plays Billy Beane, the real-life
general manager of Major League Baseball's Oakland A's, who
is famed for reinventing the game by running a competitive
team in a cost-effective way.
Pitt told Reuters that he learned to appreciate the nuances
and complexities of the game while making the movie, helped
by several meetings with 49-year-old Beane, but he is not
your typical baseball fanatic.
"It's shameful how little I know about baseball, but what I
know about it, I got - it was a pop fly in the fourth grade -
18 stitches," he said, referring to getting hit by ball when
he was just a kid, opening a flesh wound.
"I find it really tranquil when it is on (TV) in the
background now...There is a reason why it has become our
national pastime. It's a team sport yet at the same time it
is an individual battle."
The film's creators want movie audiences to see that
"Moneyball" is not just another tale in the vein of "The
Natural," "Major league" or other baseball films that have
become ubiquitous in US theatres.
They are banking on Pitt, 47, to transform Beane's use of
bland statistics and mathematical tables into entertaining
movie fare. And for that, they've tailored the story of the
Oakland A's into a tale of beating the odds.
"We are always looking for undercurrents in films, what is
going on underneath it," Pitt said, adding that "Moneyball"
is "much more than a baseball film" and more of "an underdog
story. You have a justice story."
The film with a budget of $47 million was adapted by Steven
Zaillian and Aaron Sorkin, the Oscar-winning screenwriter of
"The Social Network," from the Michael Lewis book Moneyball:
The Art of Winning an Unfair Game.
It begins with Beane coming off a highly successful 2001
season where the small market A's lost baseball stars
including Jason Giambi and Johnny Damon to big city teams
with lots of money such as the New York Yankees and Boston
Red Sox.
Beane recruits an unathletic Yale graduate, Peter Brand
(played by Jonah Hill), and the unlikely duo push a novel
approach of using statistics to scout players who will create
a competitive team at far less cost.
It may seem like inside baseball to some, but Pitt and Hill
said the story of Beane and Brand should appeal broadly to
moviegoers who aren't necessarily fans of the game.
Hill said he showed it to friends "who couldn't care less
about baseball and they all adored it...It is really about
values and underdogs and life choices."
Pitt believes that, statistics aside, the spontaneity of the
game which lures fans to ballparks isn't lost in the film.
"These guys apply science to it and yet the magical happens
when you least expect it, which was true for their season,"
he said. "It's a magical game, no question."
Early reviews have been generally favorable. The Hollywood
Reporter said the movie "looks good perhaps not for a home
run but certainly a long double or even an exciting scoot
around the bases for a head-first triple."
Daily Variety compared it to Sorkin's "Social Network,"
saying "the story isn't as electrifying. 'The Social Network'
was about a highly unusual alpha dog; Moneyball is the story
of a highly unusual underdog. No one remakes the world here.
But someone does remake the grand old American game of
baseball."
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