Jeff Harford rediscovers The Specials
The Specials are to ska what the Rolling Stones are to rhythm
and blues - a band whose early, clumsy efforts at imitation
evolved into a fresh, distinctly British form of the genre.
As debut LPs go, 1979's Specials is an unlikely vehicle for a
UK ska revival.
All but a couple of tracks are either covers or thinly
disguised reworkings of '60s originals, and none possess the
sunny charm of ska's Jamaican first wave.
Elvis Costello's production on the album lends a chilly edge
to the sound, and the musicianship hints at an Anglo-Saxon
awkwardness with the form.
But what the album lacks in authenticity it more than makes
up in sneering self-confidence and barbed humour.
It speaks directly to Britain's youth entering the Margaret
Thatcher era, urging unity and common sense in the face of
the challenges of Conservative rule and an increasingly
violent, agitated society.
A Message To You, Rudy, a cover of Dandy Livingston's 1967
single, begins with the lines "Stop your messing
around/Better think of your future", a theme that recurs in
anti-apathy, anti-racism tracks It's Up To You, It Doesn't
Make It Alright and Concrete Jungle.
There's safety in numbers and comfort in knowing your mates
give a toss about you, and even the erstwhile delinquent rude
boys can see no future in mindless violence.
Teen pregnancy is targeted in the acerbic Too Much Too Young,
which promotes contraception over the inevitability of
forever being "chained to the cooker cooking currant buns for
tea".
It's another wake-up call, couched as it is in the infectious
bouncing rhythms of ska.
And therein lies the reason for the album's place among
British rock's finest.
For all its sermonising, it is primarily an engaging,
energetic party pack of dance-floor fillers and sing-along
classics, dressed up in stylish two-tone fashion.
What better way to get the kids to commit your message to
memory?
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