The Comedy of Errors is one of Shakespeare's funniest plays, and the Globe's energetic, fast-moving production, directed by Ellie Swann, exploits its potential for hilarity.
Where there are two pairs of twins, each set with identical names, but the presence of either half unsuspected by the other, there is bound to be trouble.
Confusions and misunderstandings pile up and multiply in a way that is perfectly comprehensible to the audience, but not to the characters, almost all of whom eventually become certain that almost all of the other people on the stage are completely mad.
The moment when the tension is defused is well handled, and this relaxation instantly settles on the audience, too.
Although the fast pace occasionally produces indistinct dialogue, performances are generally of a good standard.
Especially watchable are Globe regulars Andrew Brinsley-Pirie as Antipholus of Syracuse, and Anisha Hensley-Wilson as Adriana, the wife of Antipholus of Ephesus.
The antics of Cain Sleep and John Rowe, as the agile twin servants both named Dromio, constantly threaten to steal the show.
Colourful costumes made by Rachael McCann, Ellie Swann and Sandy Wicken, a versatile, classical-looking set constructed by Ray Fleury and sound and lighting by Martin Swann complement the production's bright mood.
Although the play's farcical aspects dominate, its sombre side is also present.
Few thoughtful audience members can have overlooked the contemporary relevance of the Mediterranean location, the helplessness of migrants confronted by baffling and draconian laws, the anguish of separated families and, at the very end, joyful reunions as ignorance and rigidity give way to generosity and reconciliation.
- Barbara Frame
