Nate Ruess (centre), Andrew Dost (rear) and Jack Antonoff,
of the band fun., perform at the Inaugural Ball in
Washington last month. Photo from Reuters.
fun. aims to savour every moment, writes Brian
If time flies when you're in fun., just remember to take a
lot of photos.
That might as well be the mantra for Andrew Dost, the
Michigan-born multi-instrumentalist whose pop-rock trio
blossomed into one of last year's mega-successes, buoyed by
the grand, ubiquitous single We Are Young and million-selling
album Some Nights.
For Dost and his East Coast-bred bandmates - vocalist Nate
Ruess and guitarist Jack Antonoff - the ride has been ''very
much a blur'', as Dost says.
The past year has already delivered a career's worth of
highlights for fun. topped this week when the band won two
big prizes at the Grammys - Song of the Year, for We Are
Young, as well as best new artist.
But the year had already brought highlights galore: a Super
Bowl advertisement featuring We Are Young, gigs on all the
big US talk shows, six weeks atop the Billboard Hot 100 and a
spot at the Inaugural Ball for President Barack Obama.''
There's been a lot of different, strange, awesome steps along
the way,'' says Dost.''
Every moment this year has been so special. Sometimes it's
hard to appreciate - we're so focused on working and doing a
good job - but at the same time, we're trying to take a lot
of pictures and remind each other how special this is.''
That stems in part from a heart-to-heart last year with a top
label executive who gave the band some key advice: While you
keep your eyes on the prize, don't forget to soak up the
Band members ran straight out and bought disposable
Any time you're in this industry, the future is very, very
uncertain,'' Dost says.''
We've been touring for so long - I'm almost 30 - and we know
how rare this is, how different the climate is now. We don't
know if there's going to be another inaugural ball in our
future. So we really do want to try to savour these things.''
Growing up in Frankfort (population 1286), Michigan, Dost
says he was ''kind of left to my own devices''. With a
Frankfort High class of just 38 pupils, there weren't too
many fellow travellers as Dost nurtured his rock obsessions
and skills on a variety of instruments, from guitars to
Learning to play instruments, discovering bands - it was all
up to me,'' he recalls.''
There were a few helpful teachers, and my parents were
supportive. But for the most part, it was me sitting in my
room and practising, trying to learn new music.''
By the time he graduated from Central Michigan University in
2005, he had his foot in the music-biz door via the band
Anathallo, which went on to earn a solid name on the national
indie-rock circuit. Dost, who studied in CMU's journalism
programme with an advertising focus, penned a year's worth of
columns for the Traverse City Record-Eagle as Anathallo hit
the road in '06, chronicling his new life as a touring
It was out on the road that he met his future bandmates,
whose own groups - Ruess' the Format and Antonoff's Steel
Train - often crossed paths. In 2008, they formed fun.''
We had really similar sensibilities - we could talk about the
Beatles, but we could also talk about Ladwagon or [Dr Dre's]
The Chronic. We had eerily similar music backgrounds, shared
musical ideals. We just sort of reached each other's minds
right off the bat.''
The group's 2009 debut, Aim and Ignite, earned strong reviews
but middling sales success, peaking at No. 71 on the
The triumph would come three years later with Some Nights, as
producer Jeff Bhasker (Kanye West, Alicia Keys) helped
animate the group's musical vision: the idea of pop ''as high
art, something that wouldn't fall apart in a couple year's
time'', as Dost puts it. Inspired as much by Kanye's My
Beautiful Dark Twisted Fantasy as by Queen, the band hit the
studio with a mission.
The resulting sound - infectious pop hooks with a cinematic
scope - was unapologetically grandiose. And it marks a
rebellion against the too-cool-to-bother ethos that long
dominated indie rock.''
We know it's OK to be passionate, to write a giant song, to
play a stadium,'' Dost says.''
We know some of it might come off as campy, but we know it's
OK to shoot for those things. We have great respect for the
fact that Queen wanted everyone in the stadium to stomp along
to We Will Rock You.''
I think it's getting cool to care again. You're right -
that's a trend in rock, and I think it's good. The Beatles
cared so much, Van Morrison cared so much. It's OK to put
your heart on your sleeve, and even if we kind of overshoot
sometimes, it's OK to try.''