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Svetlana Zakharova (C), a principal dancer of the Bolshoi Ballet, and other dancers perform during a rehearsal of Tchaikovsky's ballet 'The Sleeping Beauty' at the Bolshoi Theatre in Moscow in this November 2011 file photo. REUTERS/Sergei Karpukhin/Files |
Pressure is growing on the manager of Russia's Bolshoi
Theatre after a prime-time television show criticised him
over a "decade of scandal", including an acid attack on its
ballet chief.
The show, hosted by a top lawmaker from President Vladimir
Putin's ruling party, said General Manager Anatoly Iksanov's
more than 12 years at the helm had been marked by a decline
in the reputation of one of Russia's great cultural
institutions.
It also questioned his handling of events since an acid
attack by a masked assailant on January 17 nearly blinded
Sergei Filin, the Bolshoi Ballet's artistic director.
Iksanov was not available for comment but a spokeswoman
dismissed it as the latest in a series of attacks on the
Bolshoi by host Alexei Pushkov who is also the head of the
foreign affairs committee in the lower house of parliament.
The acid attack, for which no arrests have been made, has
drawn attention to bitter rivalries at the Bolshoi, including
a row between Iksanov and veteran dancer Nikolai Tsiskaridze.
"The Bolshoi leadership has not changed for many years," Post
Scriptum, a current affairs programme that airs at 9:00 p.m.
(1700 GMT) on Saturday nights, said in its latest edition.
"In that time, ministers and deputy prime ministers have
changed, the prime minister has changed three times, and the
culture minister has changed three times, but the leadership
of the Bolshoi amazes everyone with its stability."
Post Scriptum's report also criticised the standard of
artistic performances and Pushkov concluded by saying the
Bolshoi had "gone from the cultural pages to the scandal
pages".
"After all, the task of the theatre includes providing
entertainment, and the Bolshoi Theatre is without doubt
entertaining us. If it's not doing so with loud premiers,
then it is doing so with loud scandals. And the management
is, of course, coping very well in this," he said.
Bolshoi spokeswoman Katerina Novikova said it was not the
first time Pushkov had criticised the theatre and that his
programme had not produced a balanced picture to reflect new
productions and the success of performances in Russia and
abroad.
"Of course, it's a question of different tastes ... but at
least he should have tried to give an objective picture -
unless you have a different goal in your mind," she said.
Novikova has previously said the theatre is the victim of a
campaign being waged against it in the "yellow press".
FILIN RECOVERING IN GERMANY
Post Scriptum, a well-established programme on air for more
than a decade, underlines its editorial independence although
Pushkov is a senior representative of Putin's United Russia.
Intrigue is not new to the Bolshoi, which has weathered
scandals over more than 200 years of history and reopened to
great fanfare in 2011 after a $700-million, six-year
renovation.
But the attack on Filin, 42, has shocked Russia. He is being
treated in Germany to save his sight, damaged by the
sulphuric acid thrown in his face outside his apartment late
at night.
Vladimir Neroyev, chief ophthalmologist at Russia's Health
Ministry, said it was not clear when Filin would return home.
"His left eye does not cause such concern, but the right eye
is still in a bad condition," he told Interfax news agency.
The general manager of the Bolshoi is appointed by the
government. Iksanov has held the post since September 2000.
Post Scriptum highlighted recent problems at the Bolshoi
including an attempt to fire a ballerina for being too heavy
in 2003 and the resignation of a deputy ballet director in
2011 after pornographic images of him appeared on the
Internet.
The costs of the theatre's revamp, it said, had cost 16 times
the original estimate. It also quoted leading cultural
figures as saying artistic standards had slipped as well,
using footage that in once case dated from 2006.
Composer Vladimir Martynov said the Bolshoi had become "a
grave of Russian culture". Actor and director Oleg Tabakov
was quoted as criticising the Bolshoi management for failing
to stop rumours swirling about life behind the scenes.
Regretting the public criticism of dancer Tsiskaridze,
Tabakov said: "You need to lead the whole team so that such
subjects do not even arise in the first place."
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