A combination photo shows Sergei Filin, the Bolshoi
Ballet's artistic director, at a news conference in Moscow
in 2011 and leaving hospital in Moscow in February.
REUTERS/Alexander Natruskin/Vselovod Kutznestov
Russian police detained one of the Bolshoi Ballet's top
dancers over an acid attack that nearly blinded the troupe's
artistic director and exposed fierce backstage rivalries at the
famed theatre.
Russia's Interior Ministry said in a statement that Pavel
Dmitrichenko, a Bolshoi soloist who is to dance in "Sleeping
Beauty" this month, is suspected of plotting the attack that
left Sergei Filin, 42, with severe burns after a masked
assailant threw a jar of acid in his face.
Police also said they detained a man suspected of carrying
out the attack and another thought to have driven him to the
crime scene outside Filin's apartment on Jan. 17.
The attack shocked a country used to violent settling of
scores, shining the spotlight on infighting at one its top
cultural institutions. The involvement of one of its star
dancers is likely to deepen the sense of crisis at the
Bolshoi.
A police source told the RIA news agency that investigators
had evidence Dmitrichenko, who has played the evil villain in
Swan Lake and lead in Sergei Prokofiev's Ivan The Terrible,
had ordered the attack but that they were still seeking his
motive.
Life News, a Russian website with close ties to the police,
said the suspected attacker, Yury Zarutsky, and his driver,
Andrei Lipatov, were found by tracking cell phone calls made
from the crime scene.
The Bolshoi Theatre's spokeswoman, Katerina Novikova, could
not be reached for comment on Dmitrichenko's detention but
said earlier on Tuesday, after a search of his apartment,
that she knew of no dispute between him and Filin.
She looked irritated and became defensive when addressing the
possibility of divisions in the company, saying: "I think the
Bolshoi Theatre troupe is waiting for Sergei's return, and
loves him and wishes him a speedy recovery."
Filin was left writhing in agony in the snow for about 20
minutes after the attack. As artistic director of the
theatre's ballet company, he had the power to make or break
careers in the fiercely competitive world of ballet.
He said before heading to Germany last month for treatment
that is expected to save his sight that he believed he knew
who was behind the attack and hinted it might be connected to
his work, but refused to give a name.
The daily Izvestia cited a friend of Filin's as saying that
he and Dmitrichenko, who has been with the troupe since 2002,
had quarrelled over his management decisions.
"The artistic director is entitled to his point of view in
determining the repertoire and who dances in what ballet. If
Sergei was influenced by all those who wanted to see their
friends, loved ones, acquaintances, wives and girlfriends in
one role or another, the Bolshoi would have ceased to exist,"
said Grigory Belkin, described by the paper as a close friend
of Filin's.
"There were many cases when people tried to bribe him ... The
conflict with Dmitrichenko was probably in this vein."
The theatre has been no stranger to intrigue since it was
built under Empress Catherine the Great in 1776 and the
ballet troupe has gone through five artistic directors since
1995.
In 2003, Bolshoi bosses were heavily criticised for trying to
fire ballerina Anastasia Volochkova for being too heavy. In
2011, deputy ballet director Gennady Yanin, then seen as a
candidate for the artistic director post, quit after
pornographic images of him appeared on the Internet.
The theatre, near Moscow's Red Square, reopened to great
fanfare in 2011 after a six-year, $700-million renovation
that restored its tsarist opulence but was criticised for
going far over budget.
It has frequently been under fire over its artistic programme
since then.
Leading Russian cultural figures wrote to President Vladimir
Putin last November calling for the dismissal of the
Bolshoi's general manager, Anatoly Iksanov. Among his critics
are veteran dancer Nikolai Tsiskaridze, who challenged him
for his job.
The Bolshoi dismissed the criticism, saying it failed to take
into account the troupe's latest performances.
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