Jeremy Clarkson (centre) is flanked by Greg Murphy (left)
and Richard Hammond at the Top Gear Live media event, ASB
Showgrounds, Auckland, New Zealand in February 2009.
Top Gear presenter Jeremy Clarkson has offended many
people over the years with his irreverent comments.
For some people, calling Clarkson irreverent would be
carrying litotes right out to the very edge of life as we
know it. In their eyes, Clarkson is a rude, wildly
inappropriate, conceited, and exceedingly badly dressed
disgrace to all things BBC. An oaf.
I remember being chewed up for sliding a half-compliment
Clarkson's way in this column last year, and this was from a
person who has made me laugh uproariously since 1979, a
woman, to paraphrase Mick Jagger, of comedic wealth and
taste. Yes I do find Jeremy Clarkson funny.
Rude, wildly inappropriate, conceited and exceedingly badly
dressed? All of those. But funny with it. Two weeks ago, in
the Sunday Times, he said people from Birmingham
constantly buy cars with jerky steering, which is why their
faces look like jacket potatoes.
A lesser man would have stolen that phrase. I know I did. I
used it four different ways on four different people the next
day and smiled modestly four different times as they laughed
like four different drains. Exaggeration, yes, something
Clarkson has mastered.
He exaggerates exaggeration. How cruel to the spine, he
asked, is the new Mercedes AMG C63 Black Series? Apparently
it's like being inside a fridge-freezer tumbling end over end
down the side of a rocky escarpment.
Just the sort of quote the car company wants for their ads in
expensive corporate magazines. But they still send him five
cars per week.
When it comes to inappropriate irreverence, Clarkson is
clearly the man he looks : large, loud and ill-kempt.
One suspects he has been the noisiest man at every dinner
party he has ever attended. Only on Stephen Fry's excellent
Qi has he gone even half-quiet, and even then he still talked
more than anyone else. He was also, in a room of stellar
quick-wits, the quickest and wittiest.
Our high-school English teacher, who was irreverent and
inappropriate to the point where a modern-day board of
trustees would have sacked him three times in a single
period, once defined humour for us as a shock which made you
laugh.
This made sense; we had just discovered Beyond The
Fringe, which was one riotously pants-wetting shock after
another. When our teacher peeled off a Fringe-like line,
something rude, unkind and awful, he would open his palms
innocently and ask why we were laughing.
At his trial before the board, I daresay he would have said
we were misunderstanding normal, everyday language. Three
times a period.
I've stayed with that teacher's definition all my life. And I
should perhaps add, rudely, unkindly and awfully, that this
teacher went on to another school from where he was dismissed
for spending thousands of their dollars on racehorses. That
was a shock that made us laugh.
There are people out there with no sense of humour who laugh
all the time. They are happy people; they just don't
understand funny. It has to be a shock as well. A shock in
itself is not funny.
The recent Australian movie Snow Town was a real shock
and was most certainly not funny. It is a shock when Clarkson
says Mexicans are fat and fart all the time, but it wouldn't
be a shock if he said that about Central Otago cows. Which of
the two do we laugh at?
Please don't say neither. A joke whose punch-line can be seen
three blocks away isn't funny because it isn't a shock. I
know this, as there is no worse teller of jokes in the
Southern Pacific Basin than me.
I don't remember all the key details and when I can't
remember the punch-line at the end, my listeners tell me
that's because I gave it to them halfway through. And then
they call me a jacket potato.
Jeremy Clarkson shocks deliberately and he makes me laugh. I
hope the BBC, for whom he brings in 35 million a year, keeps
him on.
- Roy Colbert is a Dunedin writer.
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