Six phenomenal artists, one legendary and notorious road. Okareka Dance Company is no stranger to divergent productions, but this is an absolute departure from any previous work.
K' Rd Strip: A Place To Stand is a work incorporating many different elements that should perhaps contradict one another, but instead come together to showcase the exuberance and vibrancy that makes up one of New Zealand's most dynamic addresses.
From the moment the audience arrives, a lone pole is illuminated on an otherwise black stage - perhaps under-utilised during the show, or maybe it was meant as a perpetual tease?
Throughout, spotlights capture the dancers' bodies, which serve to accentuate the athleticism and masculinity of the male form, especially when being interchanged between both masculine and feminine. The choreography is inspired and exemplifies the greatness of the company's dancers.
K Rd Strip is a truly collaborative piece. Every member puts their own mark on their characters and, as such, no one performer can really be mentioned individually. Having said that though, particular attention must be paid to Jason Te Mete and his solo, Lost by Six 60. His vocals and the dancing were mesmerising and beautiful. The rest of the musical score is made up of many numbers from some of New Zealand's finest artists, past and present - for example, Computer Games, by Mi-Sex, and Black Sheep, by Gin Wigmore.
Okareka Dance Company, under the direction of Taane Mete and Tai Royal, has produced a bold and reflective piece that personifies what it was and is like to grow up gay, within the surrounds of Karangahape Rd. The way that these performers deal with serious issues is outstanding. They have the audience laughing one moment and the next empathising and wanting to cry.
K' Rd Strip: A Place To Stand
Regent Theatre
Friday, June 28
