There is an international surge in interest in the craft which knows no boundaries. And it’s free.
If the Mona Lisa at the Louvre is a piece of art you’d like to look at, surrounded by a throng of gawpers, the entry fee is about $43 (a price hike having been imposed just before the Olympics, by sheer coincidence).
My own awareness of the impact of Dunedin’s street art goes back about 50 years, when my son exclaimed as we passed a grocery shop’s huge wall advertisement for Tiger Tea (one of the proudly Otago brands lost when conglomerates took over).
The giant ad showed a tiger with a tea cup in his paw and my son (to his embarrassment) is still reminded of his comment, "Hey, Dad, there’s a pussy cat having a cup of tea!"
During the last 20 years, the city has cemented its place at the top of the street art tree. The city council has adopted the old army rule, "If it moves, salute it, if it doesn’t, paint it" and the town is awash with decorated substations and whatnot.
An international street art festival was held in Dunedin in the early 2000s, and from then on it’s been all go. South Dunedin has become the Louvre of street art, transforming concrete pillars and dull walls into open-air galleries.
You can now do a 90-minute tour of Dunedin’s street art using a map kindly supplied by the visitor centre.
The most recent development in street art has been "installations" rather than just paintings.
They don’t come cheap, of course, but as you know the Dunedin City Council has just unveiled a magnum opus "George St" featuring a wealth of delights — foliage, mazes and even a giant seesaw. Try getting that into the Louvre.
Maniototo has joined the fine-art scene with some lively murals in Ranfurly. In Patearoa the white walls of the pub are a canvas crying out for the treatment. Perhaps a caricature of a bunch of locals huddled around the end of the bar?
Most ambitious of all is the almost complete art installation along Cumberland St near Stuart St.
Originally intended to be part of a new hospital, the spiralling costs of that benighted project have caused a rethink. The word on the street is that the present government, determined to save money, will mothball the hospital scheme but hopes to score some brownie points by presenting the city with the world’s most expensive street-art installation.
Given the medical origins of the project you won’t be surprised to learn it’s to be called "Piles".
— Jim Sullivan is a Patearoa writer.