Umbilical Brothers David Collins (left) and Shane Dundas.
Australian duo the Umbilical Brothers are about to
bring their genre-twisting, body-bending routines to New
Zealand. Comedian Shane Dundas discusses mime and mirth with
Shane Gilchrist.
He who holds the microphone creates the sound that controls
the universe.
As far as premises go, there have been simpler ones. But,
given the longevity of the Umbilical Brothers' career,
clearly many people get their unique brand of comedy.
Shane Dundas comprises one half of the duo, the other being
younger "brother" David Collins.
In Don't Explain, the show the Australian comedians are about
to bring to New Zealand, it is Dundas who often gains control
of said microphone.
Hence it seems fitting it is his voice on the telephone from
Canberra, a place he likens to a "movie with too few extras".
Canberra is also home to Dundas' girlfriend and the couple's
dog who, the performer notes, is in great shape.
Certainly, the canine has no need for the glucosamine tablets
Dundas takes to preserve joints that come under regular
strain as a result of the Umbilical Brothers' physically
rigorous shows.
They may be comedians, but they do far more than stand up and
deliver killer lines.
Their comedy is a modern, highly original twist on mime,
involving cartoon arms races, hilarious Germans, children's
entertainment gone awry, kung fu insects and tap-dancing
cowboys.
Dundas describes their brand of humour as a mix of the
observational, an approach often employed by stand-up
comedians, applied to slapstick routines.
Childhood instincts are thrown in with tightly edited
details.
There is also a nod to modern media techniques, such as
slow-motion sequences and television highlights packages, all
of which are acted at various speeds by the pair.
"Self-reflective humour is what I really like," Dundas says.
"You're making fun of yourself, of the actual form you're
watching. When I was a kid, I wanted to be a movie director.
"In a way, we are directing our own movies on stage. We can
freeze, rewind, whatever, but we just have to physically do
it . . . because we're not a movie."
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