Defence claim that David Bain's fingerprints on the rifle
used to kill five of his family in 1994 were not in blood was
the subject of rebuttal evidence from the Crown yesterday.
Kim Jones, head of the police fingerprint section, was the
last witness called on the 54th day of evidence in David
Bain's retrial for the murders.
Although Mr Jones gave evidence much earlier in the trial,
Justice Graham Panckhurst granted a Crown application for his
recall to clarify points raised by Carl Lloyd, a British
fingerprint expert called by the defence last week.
Mr Lloyd completed his evidence in chief on Friday but his
cross-examination was delayed until yesterday so the Crown
could consult Mr Jones about some of the matters raised.
And because Mr Lloyd had to return to the UK last weekend,
the cross-examination by Crown counsel Kieran Raftery
yesterday was by video link.
That caused a few problems at times when Mr Lloyd was asked
to look at photographs on the video screen of David Bain's
fingerprints on the murder weapon.
But he maintained his stance that Bain's fingerprints on the
rifle stock were not positive prints made by bloodied
fingers, as contended by Mr Jones.
He based his opinion on the fact the ridges of the prints
showed as white in a black and white photograph.
If the prints were in blood, the ridges would show as black
in such a photograph, he said.
And he believed the print was a "latent" print rather than a
print in blood and that it had been chemically enhanced
before it was photographed.
But he agreed with Mr Raftery that for anyone looking at the
rifle with a naked eye, prints in blood would be expected to
show reddish coloured ridges.
Mr Raftery said Mr Jones, as well as ESR scientist Peter
Hentschel who examined the rifle very soon after the
shootings, both believed what they saw were prints made by a
hand with blood on it.
Another ESR scientist who tested a substance from the area of
the prints had obtained confirmation of the presence of human
blood although the sample was too small for blood grouping.
Given the blood sample was taken from the area where David
Bain's middle fingerprint was found on the rifle, Mr Lloyd
agree there was "a good chance" the sample captured whatever
contaminant the print was in.
But, in answer to defence counsel Michael Reed QC, Mr Lloyd
said if tests carried out by Australian scientists found no
human DNA under the prints, that indicated to him "there was
no blood there".
And he confirmed his opinion that prints in blood would show
black ridges when photographed under a white light.
"There's no way you will get white ridges if there's blood,"
Mr Lloyd said.
But Mr Jones told the court he had conducted his own tests
after hearing Mr Lloyd's evidence in chief last Friday.
He used his own bloodied thumb to make prints on the wooden
stock of a rifle.
Those prints were then photographed under the white light of
a polilight device.
The coloured photograph taken on a digital camera showed the
fingerprint ridges as white.
And when a black and white version of the same photograph was
created, the ridges were also white.
When comparing the photograph of Bain's fingerprints on the
murder weapon with the photographs of the prints he put on
the rifle stock last weekend, the ridges were exactly the
same "They showed as white", Mr Jones said.
He had not treated his fingerprints with chemicals of any
kind before they were photographed, he told the court.
To make the comparison with the prints taken from Bain when
he was arrested, which showed black ridges from the ink used,
with the picture of the print from the rifle, the colour of
the ridges had been reversed from white to black "so we could
compare like with like", Mr Jones said.
But he did not chemically enhance Bain's prints on the rifle
in any way before they were photographed in June, 1994.
And an assertion by Mr Lloyd that the print was a latent one
which had been treated with a chemical was "categorically
false", Mr Jones told the court.
He said he was alerted to the fact the prints on Bain's rifle
were in blood because they appeared red in colour.
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