Artist Regan Gentry's nearly completed work Harbour Mouth
Molars in Portsmouth Dr, Dunedin. Photo by Linda Robertson.
Regan Gentry's problems with his wisdom teeth while
studying at the Otago Polytechnic, along with Dunedin's dental
school, heritage buildings and harbour mouth, were all
inspirations for the artist's striking new installation in
Portsmouth Dr.
Harbour Mouth Molars comprises six large wisdom teeth
constructed from concrete and Oamaru stone, each weighing 6.5
tonnes, and paid for by the Dunedin City Council under its
art in public places programme.
Gentry, originally from Hawkes Bay, was on site yesterday as
the work was brought to the Kitchener St Reserve, where he
plans to apply the finishing touches.
Since graduating from the Otago Polytechnic in 2000 with a
bachelor of fine arts degree, he has built a reputation in
public art, completing works including Green Islands, the
inaugural Four Plinths commission on the fringes of the Te
Papa Tongarewa forecourt; Near Nowhere, Near
Impossible, the result of his residency at the Sarjeant
Gallery in Whanganui; and Flour Power, in Christchurch.
His dry, cracked hands told of the two and a-half months of
12-hour-a-day, six-day-a-week work he has been putting into
the sculpture at the back of a house in Duncan St.
"Your fingers just crack.
"It sucks them dry," he said of his first - and possibly last
- experience working with Oamaru stone.
The work had involved tools including chainsaws, axes and
jackhammers.
His time at the polytechnic which was marked with wisdom
teeth problems, and Dunedin's geological history of
eruptions, which reminded him of teeth erupting through gums,
"all seemed to gel" for the work.
At present based in Rotterdam while his partner attends
university, he returned to do the work that had been
organised before he left.
Before the official opening on April 10, he had to do more
basic shaping on the $45,000 work, some grouting, and to add
rope near the bottom of each "tooth", which, when wet, would
discolour the area below.
As well, there would be a rock bed and planting around the
teeth.
"The idea is based on its susceptibility to decay and
damage," he said, something that was often not thought of in
civic constructions.
"I wanted to make something that would obviously decay and
change."
- david.loughrey@odt.co.nz
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