Sir Peter Jackson points out details of his set to Otago
Daily Times journalist James Beech in between takes of
filming scenes for his prequels to The Lord of the Rings
trilogy on the remote Arcadia Station, near
Queenstown.Photo by Mark Pokorny/New Line Cinema
The old giant beech tree which prompted Sir Peter Jackson
and 450 cast and crew members to film a scene for The Hobbit
near Paradise, beyond Glenorchy and Queenstown, survived for a
century until a storm blew it down six weeks ago.
This, however, was a Hobbit-sized problem in the grand scheme
of issues for the Academy Award-winning
screenwriter-producer-director in his bid to deliver Hobbit
adventures to the world.
The Hobbit: An Unexpected Journey is due out on December 14
next year and The Hobbit: There and Back Again on December
"We came down about six months ago to choose the exact spot
where this house was going to get built, and one of the
reasons why it's being built where it was is because of this
amazing tree that we had standing right there," Sir Peter
"The tree we thought would be great to have right in the
front of yard of the house was there for 100 years until six
weeks ago, when it got blown over in the wind.
"So we had to build a fake one."
If the company was likened to "a travelling circus", as Sir
Peter described it, then he is the ringmaster.
A core of creative crew members toured, with support crew
hired in the Wakatipu or wherever else they happened to be
working, Sir Peter said.
"Generally, you spend three, four, five days in one place
because often you're only shooting one or two scenes there
and because The Hobbit is a story of a quest, it's a
travelling story, so virtually every scene takes place
further along on the journey.
"It's a continuously changing landscape we're looking for."
The company's temporary "unit base" - production offices,
make-up trailers, Portaloos, trucks, 4WD vehicles and the
all-important catering marquee - buzzed with activity.
Stern Wellington security guards at the entrance asked what I
was doing there, despite my being expected and my vehicle
being covered in Otago Daily Times signs.
I was asked for identification, given a confidentiality
agreement to sign and told to turn off my cellphone.
A minivan shuttled me and the unit publicist from unit base
down a winding unsealed road to "tech base", a few minutes
Dozens of warmly clad crew members moved quietly between a
large green screen set, an oversized dwelling set and several
Planks of wood were lain across patches of mud, rain drops
blew in the chill wind, but sunshine occasionally broke
Sir Ian McKellen was in full Gandalf the Grey costume and
make-up on the green screen set.
Sir Peter's voice was heard giving directions on loudspeaker,
but he was out of sight in a tent, viewing monitors attached
to the 3-D cameras, being used for the first time in
On the command "And action", everyone was silent as Gandalf
walked slowly, staff in hand, down green-screen covered steps
and the runway-like platform to stand beside a green-screen
pole and ball and talk to Beorn (Mikael Persbrandt).
Monitors watched by crew members revealed how Gandalf and
Beorn appeared to be standing on one of the adjacent physical
sets, which featured an oversized workshop and barn, tools
and a vegetable garden between real and fake trees.
Other two-storey-high sets included a scrub-covered gate and
bee hives on shelves in an open-sided building with tussock
on the roof.
About 10 minutes later, Sir Peter said on the loudspeaker
"That's good" and gave instructions for another take.
Crew members murmured as they focused on their next task.
I was struck by the slightly surreal sight of Martin Freeman,
dressed as Bilbo Baggins, with all 13 Dwarves, in full
regalia, trudging down the incline from the rustic oversized
Each actor was given a black puffer jacket to wear over their
costume and cups of steaming beverages.
Many pairs of hairy prosthetic hands were then carefully laid
on a trestle table while the Hobbit and Dwarves went on their
immediate epic quest - lunch.