Another of Dunedin's controversial multimillion-dollar
projects is about to get its day in the sun, with the public
opening of the rebranded and redeveloped Toitu Otago Settlers
Museum today.
The $37.5 million redevelopment is predominantly
ratepayer-funded, with financial contributions from the
Government and community trusts. Fundraising is ongoing and
commercial sponsorship is also being sought.
The social history museum tells the story of the people who
shaped Dunedin and Otago and has been more than four years in
the planning and redeveloping. Museum director Linda Wigley
says the result is a ''modern, creative and, in parts, quirky
museum experience'', provides the opportunity to ''see
Dunedin in a new light'', and compares impressively
''internationally as well as nationally''. The museum blends
and contrasts the historic and the modern - both in its
buildings and its collections - with redevelopment of the
historic 1800s Burnside building and 1930s Art Deco NZR
building and a new modern arrowhead-shaped entrance foyer
acting as a ''prow'' to draw visitors.
The museum now houses a state-of-the-art storage facility,
research centre, touring exhibition gallery, extended
exhibition space, new learning and rest zones and function
spaces.
There are 14 themed galleries, housing the museum's
collections - from costumes and textiles, to military,
transport and computer collections - which feature digital
and interactive displays. There is also a cafe and a gift
shop.
Like several of the city's ratepayer-funded big-ticket items
in recent years, the path to progress has not been a smooth
one, with controversies over the necessity of the
redevelopment, its initial and ongoing operating costs,
design elements, and even its new name and branding.
The name Toitu was ''gifted'' by Te Pae o Mahutonga, the
museum's Ngai Tahu advisory group and translates as
''inviolate/to be preserved forever'', ''untouched'', ''kept
pure'', ''artistic pursuit'' (toi) and ''held on to forever''
(tu).
It is also the name of a small stream feeding into the Otago
Harbour at the original landing place of Dunedin at the top
of Water St, which had cultural significance as a pure water
source. There were public objections to the Maori name, which
in turn sparked claims of racism, and there were calls for
recognition for other races to be recognised.
Other comments about the new name included the $4070 cost of
the new logo, those concerned about the lack of an apostrophe
in ''Settlers'', the placement and weighting of the Maori and
English words, and those who believed public opinion had been
ignored in the museum's competition and consultation process
for the name, which was finally decided when Dunedin Mayor
Dave Cull used his casting vote to break a councillor
deadlock on the issue.
There is no doubt the cost of the redevelopment is a
significant issue, particularly in addition to the city's
other controversial multimillion-dollar ratepayer-funded
projects - including the Forsyth Barr Stadium and town hall
complex redevelopment - and the current economic climate.
While some aspects of the original plans were axed, such as a
viewing tower which would have cost several million dollars
more, the spotlight will remain now on the ongoing cost to
ratepayers, particularly in the light of the financial
challenges facing the stadium and the Chinese Garden - both
of which have attracted fewer events and visitors than hoped
and budgeted for, putting extra pressure on ratepayers.
The museum faces challenges as there is no general admission
fee, but will seek to boost its coffers through tours,
programmes, retail sales and function hire.
But culture and heritage are important aspects to any city,
and museums and galleries are considered by many to be
important infrastructure - and one that should be borne by
ratepayers. Although opinion is likely to remain divided,
there is no denying the city now has a revamped cultural
asset of which we and future generations can hopefully be
proud.
It is certainly hoped residents and visitors alike will make
as much use of it as possible. The museum's civic opening was
celebrated yesterday.
Today, ratepayers will be able to judge for themselves
whether the redevelopment, with its blend of the historic and
the modern, has been worth all the time, energy, debate - and
money.
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