Tom McKinlay

Prof James Renwick is not ready to glue himself to stuff, but he’s comforted that other people are, he tells Tom McKinlay.

Calla’s embracing the ethereal on her new album, she tells Tom McKinlay.

A radical social experiment on Moray Pl has kai and connection at its heart.

Eels have migrated their way into the heart of some of chamber folk duo Where Water Meets’ music, writes Tom McKinlay.

In this part of the world, whales are big, the editors of a new book tell Tom McKinlay.

The activism of our young people is cause for hope, but it shouldn’t be left up to them, Prof Karen Nairn tells Tom McKinlay.

The story of trade unionist Bill Andersen provides an opportunity to reassess recent history, author Cybele Locke tells Tom McKinlay.

The story of trade unionist Bill Andersen provides an opportunity to reassess recent history, author Cybele Locke tells  Tom McKinlay.

Bill Martin’s in the spotlight tonight but still making time for others, writes Tom McKinlay.

Neville Peat’s new book bridges the space between islands, writes Tom McKinlay.

A book launch gig tonight is hooked on classics, writes Tom McKinlay.

Flying Nun’s Dunedin bands became an obsession for Canadian writer Matthew Goody. But not just the Dunedin ones, he tells Tom McKinlay.

It’s an open question whether David Farrier locked on to his latest documentary subject, or had his film-making wheels clamped by him, writes Tom McKinlay.

A film about isolation and forgiveness is an homage to Dunedin, director Rebecca Tansley tells Tom McKinlay.

New Zealand was to be a model example of preserving a country for its indigenous people, Ned Fletcher, the author of a new book on the Treaty of Waitangi, tells Tom McKinlay.

A demigod’s mischief making is brought to bear on contemporary issues in Rutene Spooner’s Dunedin Festival of the Arts show, he tells Tom McKinlay.