Wallabies great John Eales still regrets ignoring the All Blacks haka in 1996. However, he hopes a documentary on the ritual will make amends, writes Shane Gilchrist.
Combining elements of reggae, hip-hop, funk and rock, former Dunedin group Summer Thieves are celebrating the release of a Tiki Taane-produced debut album, writes Shane Gilchrist.
Feeling trapped, unhappy or at least a little disgruntled? That's not surprising. We live in an age of perfectionism. And all this self-obsession is making us unhealthy, writes Shane Gilchrist.
Set over the course of one night, at a suburban party, the second album from Lorde should silence those who questioned the four-year gap between albums and, hopefully, Swedish producer Max Martin,...
Led by singer Milly Tabak and guitarist Liam Pratt, West Auckland outfit The Miltones have channelled 1970s country/blues/rock on their debut album, which is at its best when it allows for...
Six years after the 2011 release of Helplessness Blues and nearly a decade since their excellent 2008 self-titled debut, Fleet Foxes return with an effort that offers no great departure from their...
From bedroom recordings to international music festivals, Dunedin guitar-slinger, singer and songwriter Kane Strang is poised for another great leap, writes Shane Gilchrist.
Wilbur McDougall’s journey from morbid obesity to larger-than-life character is yet another chapter in the story of a Renaissance man, writes Shane Gilchrist.
War stories need not be all wham-bam action. And, when writing for children, it’s important to depict the truth, two leading Kiwi authors tell Shane Gilchrist.
Kiwi producer Lord Echo's latest effort continues a penchant for dancefloor-tested tunes and grooves, a pick-and-mix collection of reggae, East and West African music, American funk and soul and...
Cargill Enterprises employs more than 80 people with disabilities, offering a wide range of goods and services. There's also an important byproduct. It's called self-esteem, writes Shane Gilchrist.