A simple story set in a complex society, writes Mark Orton.
Frost dusts off his moves in this flick, writes Christine Powley.
Her is great in all the right ways, but feels like its missing something, writes Mark Orton.
Only bad thing about this foodie documentary is that you can't taste the cuisine, writes Christine Powley.
Little left on cutting-room floor in this unforgettable love story, writes Mark Orton.
A simple, but heart-warming story, writes Christine Powley.
The story of how Disney's Mary Poppins was made is brilliant, writes Christine Powley.
Remarkable film inspired by real events is unlike any other, writes Mark Orton.
When you learn about wars at school you are taught the dates they began and ended. But for the people who fought in those wars, they never really end.
From the moment the opening frames roll, we are told that ''some of this actually happened''.
The lack of plausibility only adds to the charm of this entertaining film, writes Christine Powley.
Black and white film not lacking in colour, writes Tom McKinlay.
Social commentary and slapstick satire come together in this film, writes Tom McKinlay.
A young-adult remake of many already-made films, writes Christine Powley.
There is very little to like, let alone love, in Michael Caine's latest venture, writes Mark Orton.
Backup singers finally take centre stage in this beautiful film, writes Christine Powley.
New Irvine Welsh film even darker than Trainspotting, writes Tom McKinlay.
Over-indulgent action sequences makes an overly-long film, writes Christine Powley.
Historical accuracy not the strong point of this engaging film, writes Mark Orton.
Misleading poster gets film off on the wrong foot, writes Christine Powley.