Technically spectacular show modernises musical

Taieri Musical's performance of Jesus Christ Superstar. PHOTO: SUPPLIED
Taieri Musical's performance of Jesus Christ Superstar. PHOTO: SUPPLIED
Taieri Musical: Jesus Christ Superstar, Regent Theatre, Thursday, September 18.

Jesus Christ Superstar was enthusiastically received on Thursday night at the Regent Theatre.

This show could be renamed "JC Superstar Spectacular", for indeed it was spectacular.

For Taieri Musical, director Ben Thomas has moved the 1971 musical into 2025 by employing the latest stunning technical effects. The lighting, the use of many different spotlights, live video projections on to the rear of the stage and side-stage scaffolding allowed the relatively simple set to become multi-functional. The colour palette and excellent costume design supported the directorial vision.

Samuel Leaper is making a name for himself as a musical director. Lloyd Webber’s score is complex, and Leaper kept the 16-piece band under tight rhythmic control, although at times the balance favoured the band. The ensemble was vocally strong but more care needed to be taken with diction, intonation, soft singing and rhythmic precision.

Choreography by Cadyne Geary was slick, especially in King Herod’s Song, but at times the style of dance did not achieve maximum dramatic intent.

The crowning glory of this production was the role of Jesus, played by James Adams. Although a slight figure, his presence exuded Jesus’ gentleness and humility, which was enhanced by a virtuosic vocal performance. Adams used an astonishing range of vocal timbres and colours, and Gethsemane was simply heroic and sublime in its delivery. Adams’ acting was an extension of his vocal mastery, and the pathos at the whipping and crucifixion scenes was palpable.

The contrasting lead singers were all excellent, with Max Beal savouring the role of Judas, Sophie Whibley a poignant Mary and Greg MacLeod relishing the opportunity to ham up the character of Herod.

Pilate’s Dream was sung with excellent diction by Charlotte McKay in the role of Pontius Pilate. The duet between Mary and Peter (Mason Bouzaid), Could we start again, please? was very touching.

This spectacular is not to be missed and runs until September 27.

 

 

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