Film-maker Guillermo del Toro is in his seventh month of labour, in New Zealand, on The Hobbit, a $300-million epic that will be told over two films to be released in 2011 and 2012.
But you can also find the Guadalajara, Mexico, native now on the shelf of your local bookstore with his debut novel, The Strain, which is the opening instalment of a vampire trilogy he has already fully mapped out.
That's only the beginning. The 44-year-old del Toro, who was Oscar-nominated for the dark fairy tale Pan's Labyrinth and has shown his crowd-pleasing sensibilities with the Hellboy films, also has plans to reanimate some musty and monstrous literary classics by making a Frankenstein film as well as an adaptation of the H. P. Lovecraft epic At the Mountains of Madness, a project he breathlessly refers to simply as "my obsession".
That would seem to be a full enough plate for anyone but, in a recent phone interview, he chuckled and admitted he's got another one to add to the pile: "I think after The Hobbit, my next project may actually turn out to be Drood," he said, referring to the 2009 novel by Dan Simmons that presents Charles Dickens at the centre of an occult mystery in 1860s Victorian London.
Del Toro has also talked about adapting Slaughterhouse Five, Kurt Vonnegut's surreal antiwar tale of time travel.
If you're keeping track, that would have del Toro tied up well past 2015 and perhaps into 2017. He is also flirting with other projects (Pinocchio, Dr Jekyll and Mr Hyde and a third Hellboy film have been mentioned at various times), but perhaps only in the role of producer, as he did with the acclaimed 2007 Spanish ghost story The Orphanage.
He also wants to join the increasingly popular quest to find the undiscovered country of interactive 21st-century storytelling, which lies somewhere between Hollywood films and video games as we know them today.
It's a dizzying career plan for the father of two (his wife and daughters have moved to New Zealand to be with him during production of The Hobbit) but right now, no venture has him more enthused than The Strain, the 401-page novel that was co-written with Chuck Hogan and released in hardcover last month by William Morrow.
The book has received generally good reviews and fulfils the earliest ambition of del Toro, who as a boy in Mexico dreamed of being an author long before film-making captured his heart.
The Strain presents an unsettling tale of a vampiric virus on the loose in New York City. It was about four years ago that the story started taking shape in del Toro's imagination, and his inspiration was a surprising one.
"I was watching The Wire on cable and I was addicted to it," the film-maker said. "I really felt caught up in this idea of doing a procedural, a limited cable series, which married the ideas of biology, of anatomy, of vampirism and evolved through the seasons into the spiritual and mythological aspects of the theme - and always with the everyday details and prosaic settings, and the rhythms of a procedural."
The plan at first was to present The Strain as a television series, limited to three seasons, and del Toro was gripped with excitement as he got deeper into the tale.
"I prepared a 'bible' of the three seasons and went to the network that I had a deal with, which was Fox. They read the bible and listened to the pitch with the opening scene of the 747 stopping mysteriously on the runway at JFK and the mystery that followed, and I was very happy with it."
And how did the network respond?
"They said two things: 'It's too expensive, first of all, and what we would really love is a vampire comedy.' That was my first and only encounter with television. I retreated quickly."
There's a surge in vampires in pop culture right now, with True Blood pumping up the ratings on television and a second Twilight film due this year.
The Swedish bloodsucking romance Let the Right One In was a hit at the Tribeca Film Festival last year, and an English-language adaptation is scheduled for next year. There's also talk of film revivals for Buffy the Vampire Slayer and Dark Shadows.
The vampires of The Strain are not emo pretty boys, not with skin that, on close inspection, reminds one young human character of a "pickled pig fetus" he saw back in science class.
"The idea is to keep reminding people that these are undead things. To start with biology and then also help the audience make sense of all the vampire traits that they already know," del Toro said.
He won't need to remind anyone of The Hobbit's origins. In nine months, he will begin shooting the film, and all he has to do is match the Tolkien achievement of Peter Jackson, the Lord of the Rings director whose three films pulled in more than $2.9 billion at the box office worldwide and collected 17 Oscars, including one for best picture and another for director. (Jackson is back as producer on The Hobbit and said last year that he "cannot think of a more inspired film-maker to take the journey back to Middle-earth".)
Del Toro is in the midst of intense preproduction, doing work with models, script pages, set blueprints and, literally, thousands of detail decisions. Asked what he wants to accomplish and what he wants to avoid with the film, del Toro said: "What I want to do is make the best movie I have ever done. What I want to avoid is to make some fastidious tracing of lines that were established by the Lord of the Rings trilogy.
"We're trying to be respectful of it, and what was shown in the trilogy is canon, but we are gleefully exploring new creatures, new set pieces, new territory and new avenues. As with everything, there is always something new to get excited about."
