Three past winners — Laurel Judd, Viv Tamblyn, and Daphne Randle — would have their creations on show at Central Stories Museum and Art Gallery, in Alexandra.
WoolOn designer liaison Jamie Richards said showcase would give the opportunity to see the details in the garments.
‘‘It brings the glamour of the runway into an intimate gallery setting, allowing wool crafters and fashion enthusiasts to appreciate the intricate textures and revolutionary techniques that define experienced wool designers.’’
A highlight of the event would be a silent auction featuring pieces by all three, offering a rare opportunity to own a piece of award-winning wearable art. The proceeds will support Central Stories, the WoolOn Charitable Society and the designers.
Napier-based Laurel Judd had sent 20 pieces for the Central Stories/WoolOn exhibition.
Ms Judd encouraged potential buyers to think of the items as art rather than garments.
‘‘Think outside the square. These are not necessarily to be worn. They can be a piece of art in a bedroom, on a mannequin, or hung on a wall. If you are in the wool industry, what better way to showcase a winning garment than in your shop window?’’
Ms Judd’s ‘‘love affair with wool’’ led her to enter WoolOn in 2008 and she had become an almost annual contributor.
It is particularly fitting to show these works in Central Otago, she said.
‘‘The event is exceptionally well run and enjoys strong support from the local community. It is gratifying that the event is held in merino sheep country.’’
Joining Ms Judd was six-time WoolOn Supreme winner Viv Tamblyn, of Gore.
A totally self-taught ‘‘recreational designer’’, Tamblyn’s work is defined by her passion for 3-D textures and sustainability.
‘‘Working with wool provides opportunities to explore and experiment. In today’s world, I am much more aware of zero waste. I strive to only use sustainable fabrics and 100% wool yarn, even for linings.’’
The exhibition was a chance to share the ‘‘vibe’’ of the WoolOn community, she said.
‘‘I find crochet or knitting a relaxing craft. It’s exciting watching an idea come to fruition. There are just not enough hours in the day.’’
Completing the trio was Alexandra’s own Daphne Randle, known for her seamless garments and Fernzwear mitred and fern-shaped knitting techniques.
Having won the Supreme Award multiple times, Ms Randle viewed the exhibition as a vital celebration of local heritage and a way to show support for Alexandra.
Ms Randle’s unique technique helped her manage an impressive knitting workload despite having mobility issues.
For the 2024 WoolOn competition she produced six outfits in four months, including a man’s three-piece outfit and hat, an evening gown and a day dress with a poem knitted into it around the body.
The exhibition will run until May 17. The silent auction will run for the duration of the exhibition.
