Early in the game protagonist Garcia Hotspur proclaims that he and Johnson, his travelling skull companion, are making "our very own road movie".
Like the grindhouse films that it pays homage to, Shadows of the Damned is vulgar, violent, over-the-top, and way more fun than it should be. This is Resident Evil 4 rewritten by a 12-year-old obsessed with penis jokes. As it turns out, that's a good thing.
Garcia's journey takes him through multiple colourful regions of the underworld, from a Mexican marketplace to a racy red-light district.
Throughout the eight-hour adventure, Garcia and his buddy trade boneheaded one-liners that would have had me groaning if they weren't presented with such straight-faced glee.
Despite being the hero, Garcia is a dimwit who chuckles at his own horrible jokes and stumbles into enemy traps constantly. Plenty of games with dumb writing use self-awareness as an excuse, but Shadows of the Damned isn't just aware of its stupidity, it embraces immaturity with an abandon that I can't help but respect. It doesn't seem like Grasshopper considered any situation too outrageous or any line of dialogue too goofy to include.
Grasshopper Manufacture scored a major victory by getting help from Resident Evil mastermind Shinji Mikami. Unlike previous Suda51-developed games, polished, rarely frustrating gameplay backs up the off-the-wall insanity. Mikami's classic, over-the-shoulder third-person shooter style is present, but now you can move at the same time. Whether you're fighting a giant Frankenstein creature with a huge spotlight on its head or a tiny demon wearing spike-covered armour that rolls towards you in a ball, Garcia has enough grace and speed to survive any situation.
Despite his bravado, this demon hunter doesn't spend all his time shooting up the legions of hell. Each level contains a handful of interesting puzzles, most of which involve manipulating light and dark.
If a room is enveloped in shadow, Garcia's health will slowly drain until he leaves that region or fills the room with light by shooting a goat head.
Both the puzzles and the combat are aided by an ever-growing arsenal of new weapons and tools.
For example, halfway through the game, Garcia receives the ability to place light mines with his pistol. In combat, he can stick mines on an enemy and then shoot them for an explosion that damages both the unlucky demon and any surrounding baddies. In exploration, the mines can be detonated on certain walls and rocks to discover hidden areas. Each upgrade provides similarly inventive new approaches to combat and tactics for dealing with the oversized boss encounters.
The only major flaws in Shadows of the Damned come in a few frustrating late-game scenarios where you're put in arena fights against an absurd number of opponents, and a handful of chase sequences where Garcia is instantly killed if caught by a pursuer. I was also saddened to discover that there's no new game-plus option.
Shadows of the Damned is unapologetically adolescent, but instead of trying to be cutely ironic and wink at players, the humour comes off as genuine, playful, and fun. Even if you don't find the idea of a sniper rifle called "the Big Boner" funny, you should still enjoy the solidly designed shooting and bit of thinking required to play the game.
Shadows of the Damned
For: PlayStation 3/Xbox 360
From: Electronic Arts/Grasshopper Manufacture
Style: 1-Player Action
Rating: R18
4.5 out of 5 stars
