

Everything changed, however, when a deranged Irishman attempted to assassinate the Prince during a walkabout in Sydney on 12 March 1868. A bullet fired at point blank range deflected off Prince Alfred’s trouser braces, narrowly missing his spine.
Fortunately, he recovered quickly but the rest of the royal tour was postponed and the Prince returned to Britain. He came back the following year, however, and finally reached New Zealand in April 1869. Starting in Wellington, he made his way south to Dunedin via Nelson and Christchurch, landing at Port Chalmers on Tuesday, April 26.

Over the next four days the royal visitor was feted with a non-stop succession of processions, levees, displays, balls and sports meetings, giving expression to the community’s fevered Imperial enthusiasm. It had been the same throughout the colonies; an endless parade of local notables and organisations fawning over this tangible representation of their far-distant sovereign.

In 1893 he became Duke of Saxe-Coburg and Gotha, a duchy within the German Empire. After his death in 1900 he was succeeded there by his teenage nephew (and grandson of Queen Victoria) Charles Edward the Duke of Albany.
The new Duke sided with Germany during World War 1 and was dethroned in the tumultuous political upheavals at war’s end. The Duke then embraced right-wing causes in the inter-war years and was an early supporter of the Nazi Party. He was convicted by a denazification court after World War 2 for his activities. His properties and possessions were confiscated by the Soviet administration that took control of this part of Germany after the triumph of the Red Army.

Such gaps in provenance — the history of an object — are a real challenge to museums and in many cases cast doubt on the authenticity of an artefact or of the stories attached to it.
In this case we have corroboration from a contemporary account that describes the stock whip being presented and noting that it had an engraved inscription on its mounting: “Presented to H.R.H. the Duke of Edinburgh by the Stockmen of Dunedin, Otago. April, 1869”. This matches precisely with what we can see on the gold panel on the Toitū whip’s handle and which was made by local jeweller John Thompson Telfer.
If only we knew how the whip travelled around the world with the Prince only to end up in Tasmania, from whence it finally returned to Dunedin.
Sean Brosnahan is a Toitū Otago Settlers Museum curator.











