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Music has often been thought of as something generated only by musicians using musical instruments.
But in this show, titled "Bodytok Quintet, The Human Instrument Archive", people become their own sonic instruments, often generating intriguing non-verbal sounds.
The word Bodytok was derived from a Melanesian-pidgen term 'toktok,' meaning to have a conversation.
Based on a project initiated in 2005 by Auckland artist and musician Phil Dadson, the show uses five big screens and explores non-verbal expression, using a collection of recorded on-screen performances. Mr Dadson said the sounds included "lip plopping, tongue clocking, whistle warbling, finger crackling, hip clicking, skin slapping and throat gurgling".
The sounds reflected "the endless invention of the human instrument", he said.
Visitors can engage with each performer through the screens that play surprising and original noises produced by about 45 people, including musician Chris Knox, who volunteered to take part. Each screen responds as a visitor approaches, initiating a body-noise performance.
The show's interactive software design was undertaken by another collaborating artist, James Charlton, who is also a senior lecturer at Auckland University of Technology.
"People smile when they come into this [show] because its funny," Mr Charlton said.
He enjoyed standing quietly to the side and watching people interacting with the screens.
They also started to think a little more about their own bodies and were making their own little non-verbal noises.
The humour 'brings people in, it makes them feel at ease", but the show did have a serious side, encouraging people to think a little more about the sounds their bodies could generate, and several other things.
The show runs until November 25.